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“A creature from an alternative universe . . . wanting to understand what is on the American mind should rush to the nearest bookstore and buy a copy of this distinguished anthology . . . Exhilarating.” — Publishers Weekly
The Best American Essays 2014 is selected and introduced by John Jeremiah Sullivan, author of the critically acclaimed essay collection Pulphead. The New York Times placed Sullivan “among the best young nonfiction writers in English” and the New York Times Book Review heralded Pulphead as “the best, and most important, collection of magazine writing since Wallace’s A Supposedly Fun Thing I’ll Never Do Again.”
- Sales Rank: #76232 in Books
- Published on: 2014-10-07
- Released on: 2014-10-07
- Original language: English
- Number of items: 1
- Dimensions: 8.25" h x .68" w x 5.50" l, 1.00 pounds
- Binding: Paperback
- 272 pages
From the Back Cover
The Best American Series
In our age of “trigger warnings” and jeopardized free expression, The Best American Essays 2014 does not shy away from shocking extremes, ambiguities, or dualities. As guest editor John Jeremiah Sullivan notes, the essay “assumes many two-sided forms,” and these diverse pieces capture all the conceptions of what an essay can be: the loose and the strict, “the flourish and the finished, the try and the trial.” His choices embrace the high and the low, the memoirist’s confession and the journalist’s reportage, and all the gray area in between. From a hotel in Mongolia to a Clockwork Orange–like Baltimore, from a Rome emergency room to Burning Man, these diverse pieces surprise and entertain, inform and titillate.
The Best American Essays 2014 includes Kristin Dombek, Dave Eggers, Leslie Jamison, Ariel Levy, Yiyun Li, Barry Lopez, Zadie Smith, Wells Tower, James Wood, and others.
[INSERT AUTHOR PHOTO] John Jeremiah Sullivan, editor, is a contributing writer for the New York Times Magazine and the southern editor of the Paris Review. He’s been the recipient of a Whiting Writers’ Award, two National Magazine Awards, a Pushcart Prize, an M.F.K. Fisher Distinguished Writing Award, and a fellowship at the New York Public Library’s Cullman Center for Scholars and Writers. He is the author of Blood Horses: Notes of a Sportswriter’s Son and Pulphead: Essays.
Robert Atwan, the series editor of The Best American Essays since its inception in 1986, has published on a wide variety of subjects, from American advertising and early photography to ancient divination and Shakespeare. His criticism, essays, humor, poetry, and fiction have appeared in numerous periodicals nationwide.
About the Author
John Jeremiah Sullivan is a contributing writer for the New York Times Magazine and the southern editor of the Paris Review. He writes for GQ, Harper’s Magazine, and Oxford American and is the author of Blood Horses and Pulphead, a 2011 National Book Critics Circle Award nominee.
ROBERT ATWAN has been the series editor of The Best American Essays since its inception in 1986. He has edited numerous literary anthologies and written essays and reviews for periodicals nationwide.
Most helpful customer reviews
49 of 53 people found the following review helpful.
John Jeremiah Sullivan Bears His Stamp and Often With Good Results
By M. JEFFREY MCMAHON
I've been reading The Best American Essays for twenty-five years. There always at least three or more gems making each collection worth the acquisition. The 2014 edition is no exception. Editor John Jeremiah Sullivan has kept the book short, just a tad over 200 pages, and the essays tend to be on the shortish side, usually ten or fewer pages, with some exceptions. The subject matter is more raw, uncensored, and disturbing than a lot of previous editions. Two essays deal with repeated child abuse and the complicated, often excruciating manner the authors, Barry Lopez ("Sliver of Sky") and Chris Offutt ("Someone Else") attempt to navigate out of the deathly regions of their abused psyches.
Other gems include
Timothy Beads' "A Matter of Life and Death," a meditation on marriage and mortality;
Wendy Brenner's "Strange Beads," which juxtaposes death, cancer and the escape into consumerism;
Emily Fox Gordon's "At Sixty-Five," a mordant, witty, wise self-examination of "old age";
Mary Gordon's "On Enmity," which shows the thorny, knotty, paradoxes informing the idea of having enemies;
Yiyun Li's "Dear Friend, From My Life I Write To Your Life," which chronicles the depression of a Chinese immigrant who falls in love with America and its glamour and promise of reinvention on one hand but finds her new country's unrealistic expectations a poison on the other;
James Wood's "Becoming Them," about James Wood, in spite of himself, becoming like his parents. He makes his personal story universal by showing how most of us go down the same trajectory.
There are more than enough literary gems for me to give this year's anthology the highest recommendation.
15 of 16 people found the following review helpful.
Thought provoking collection
By E.M. Bristol
If there is a common thread in most of the 21 pieces in "The Best American Essays 2014," I would have to say it is crisis, ranging from racism to old age, and how each author deals with it. Many are very personal and first person accounts of something that happened to the author rather than a more objective topic.
A few thoughts on the essays.
The pieces are in alphabetical order based on the author's last name. Coincidentally, this means that the two essays on sexual abuse, "Silver of Sky," by Barry Lopez and "Someone Else," by Chris Offutt are back to back (followed by an essay on all things, joy, by Zadie Smith). Both give honest accounts of being assaulted as youths, examine why they kept silent at the time, and describe how it has affected them as adults. Both also wonder why their parents did not notice anything out of the ordinary at the time.
Parental negligence is also a major theme of "Little X," by Elizabeth Tallent, an account of her injuring her arm as a child while her family was on vacation. Rather than seek medical help immediately, her parents chose to simply leave the hotel early. Allowed to sit in the "wayfarback" part of their station wagon, Tallent spends the time crafting a makeshift sling.
Dealing with growing older is another theme of several essays. "The Old Man at Burning Man," by Wells Tower describes a visit there with several friends and his dad, who is undergoing cancer treatment. Surprisingly, it's the father who gets into the spirit of the festival, unfazed by the blatant sexuality of the participants, while the son finds himself acting like a nagging parent. "Becoming Them" by James Woods is about how the author unconsciously finds himself adopting many of the habits of his father as he ages. "At Sixty Five," by Emily Fox Gordon examines how certain personality traits have undergone a change, including her approach to health care.
Several pieces are odes to places, including "Letter from Williamsburg," by Kristen Dombek; "Letter from Greenwich Village," by Vivian Gornick, and "Slickheads" (a journey through Baltimore as a youth) by Lawrence Jackson. Both "Thanksgiving in Mongolia," by Ariel Levy, and "The Final Day in Rome," by John H. Culver discuss a devastating personal event that occurred far from home.
Overall, a very thought-provoking collection. And though the editor took this lightly, some of the pieces may well have "triggers." But it shouldn't keep you from taking a look at this book.
15 of 17 people found the following review helpful.
Nasty, Brutish, and Short
By takingadayoff
If you read essays to learn about a new subject or to look at things in a different way, this may not be the collection for you. This year's Best American Essays are all about the individual, very inward looking. Death looms large, in essays about getting old or one's parents getting old, one about the death of a newborn, the sudden death of a wife, and suicide. The non-death related essays delve into child abuse and enemies.
There are a few essays that lighten the mood, somewhat. Wendy Brenner finds temporary relief from pain by shopping for costume jewelry on eBay, and Zadie Smith finds that life's small pleasures are more satisfying overall than the unsustainable highs of joy.
This year's guest editor, essayist John Jeremiah Sullivan, came to my attention a couple of years ago with an article about a family trip to Disney World. I read it, thought "What a jerk," and that was that. Except that I kept thinking about that darned essay and it finally dawned on me that it was pretty much the opposite of what I first thought it was. I read some more of his essays and found them challenging, surprising, and entertaining. His introductory essay in this collection is what appears to be a learned examination of the origin of the essay. It's pretentious and bloated. Is it a clever parody? Heck if I know.
My advice -- whether you decide to read this year Best American Essays or not, do read Sullivan's collection, Pulphead: Essays.
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