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“A haunting, sometimes harrowing portrait of the ways that love can go wrong—and how we can right it. . . . Trust me, you’ve never read anything like this—like a shadow, it will stick with you.” —Caroline Leavitt, author of the New York Times bestseller Pictures of You
Therese Wolley made a promise. She works as a secretary, shops for groceries on Saturdays, and takes care of her two girls. She doesn’t dwell on the fact that her girls are fatherless, mostly because her own father abandoned her before she was born, and she has done just fine without him.
Even though her older daughter regularly wakes with nightmares and her younger one whispers letters under her breath, she doesn’t shift from her resolve that everything will be fine. She promises . . . and they believe.
Until the morning an obituary in the newspaper changes everything. Therese immediately knows what she has to do. She cannot delay what she has planned, and she cannot find the words to explain her heartbreaking decisions to her daughters. She considers her responsibilities, her girls, and a promise she made years ago. Then she does the only thing that any real mother would do. She goes on the run with one daughter . . . and abandons the other.
Left is told from the perspectives of Franny, the younger sister who is left behind; Matilda, the troubled older sister who vows to go back and save her; and Therese, a mother on the run.
Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
- Sales Rank: #3417072 in Books
- Published on: 2015-11-10
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .90" w x 6.00" l, .0 pounds
- Binding: Paperback
- 244 pages
From Booklist
Therese Wolley takes her two children, Franny and Matilda, and runs to her best friend, troubled artist Leah. Franny is open to taking in their strange new house, but in the morning, Therese and Matilda are gone. As Franny adjusts to life with Leah, Matilda is hatching a plan to reunite with her sister, even if it means finding the father she doesn’t remember with the help of the bad boy next door. Meanwhile, Therese is reliving the “sparks” she felt around her ex and her mother-in-law, the ominously named Barbara Yaga. The three Wolley women narrate the story, and each voice is as distinct as it is biased. Franny perceives the world through the lens of her autism and her youth. Matilda is plagued by strange dreams that color her daily life. Therese is ruled by her sense of touch, stubbornly relying on her impressions rather than reality, no matter how often she gets it wrong (although she doesn’t always). This compact first novel is sometimes frustratingly short on details, but readers can be assured that it all makes sense in the end. --Susan Maguire
Review
"Ossowski's narrative is more about the characters and their individual journeys: The author artfully portrays each in meticulous detail and employs superlative imgaery to paint every thought and action. Ossowski, a mother of three (including a child with special needs), touchingly examines the elements that bind families together." –Kirkus Reviews
"This compact first novel is sometimes frustratingly short on details, but readers can be assured that it all makes sense in the end."—Booklist
“A haunting, sometimes harrowing portrait of the ways that love can go wrong—and how we can right it. . . . Trust me, you’ve never read anything like this—like a shadow, it will stick with you.” —Caroline Leavitt, author of the New York Times bestseller Pictures of You
"The vivid voices, deft plotting and, most of all, utterly original characters Tamar Ossowski has created in Left make it an unforgettable read. This is a book of unusual, even magical, compassion and heart." — Holly LeCraw, author of The Swimming Pool
“Left is a delight. The story is told with elegance and warmth. Nothing is predictable, and yet in the end, it all makes perfect sense. But it is Ossowski's main characters, Franny and Matilda, that caught me with their fascinating, believable voices, and their endearing, very human flaws. Scrumptious, from beginning to end!" — Susan Senator, author of Dirt and Making Peace with Autism
“A brave and breathtaking new voice tells of love, loss, and the ties that connect us. Unforgettable characters and a story that unfolds tantalizingly make Tamar Ossowski's debut novel hard to put down and impossible to forget.” — Toby Devens, author of Happy Any Day Now
“A poignant, often breathtaking story of forgiveness, loss, secrets, and the power of friendship. In her debut novel, Ossowski weaves family secrets and internal struggles that will touch the hearts and memories of anyone who reads this tender yet relentlessly real story.” — Suzanne Palmieri, author of The Witch of Italy and I’ll Be Seeing You
From the Author
Massachuettes - based author Ossowski's debut about a family's fragmentation, forgiveness and love.
Single parent Therese Wolley works hard to support her two daughters financially and emotionally. Older daughter Matlida sometimes suffers from nightmares, and young Franny intereprets her world from autistic perspective, eneveloping herself in letters But an item in the newspaper and an obligation to fulfill a promise abruptly alters the family dynamics. Therese packs the girls in her car and drives to her friend Leah's home, which Franny thinks "smells like art." The next day, Leah takes Franny on an outing, and Franny returns to discover her world is totally unbalanced. Therese and Matilda are gone, although her sister leaves behind a journal and a promise to return for her. Franny doesn't understand her abandonment, but in many ways, she copes with the changes in her life in healthier ways than her sibling, her mother and guardian. Leah buries her demons until Franny innocently uncovers them while asking about pieces of artwork she finds under a mattress. Meanwhile, Matilda and her mother by allying herself with a neighborhood bad boy, skipping school, sneaking out of the house and drinking. Therese stubbornly refuses to supply satisfactory answers to Matilda's questions, and she spends more time away from home as she worries that the past will come back to haunt her and her daughter. Although it does not have the strongest plot or ending. Ossowski's narrative is more about the characters and their individual journey's: The author artfully portrays each in meticulous detail and employs superlative imgaery to paint every thought and action.
Ossowski, a mother of three (cincluding a child with special needs), touchinly examines the elements that bind families together.
-Kirkus Reviews
Most helpful customer reviews
22 of 23 people found the following review helpful.
It left me wishing for better.
By A. Heir
This had a very interesting premise: a mother leaves her 9 year-old daughter with an old friend and establishes a new home in another city with the twelve year-old sister. The question of why she would do such an awful thing to her children without a word of explanation is not explained until the very end. The younger girl, Frannie, also seems to be autistic, although that is neither explicitly stated nor explored by any of the adults involved in her life. There is some kind of mysterious connection between the two women who are worlds apart in education and temperament. The nature of the women's connection is also a question mark until the extremely contrived and ridiculous "big incident" ending. There's also the matter of "sparking" by the mom which seems to be a mystic ability to read people. I don't understand why the author had to throw that in. The males were generally poorly developed caricatures with few redeeming qualities. There was a really interesting book in there somewhere, but the plodding narrative development and dramatic conclusion were manipulative.
7 of 7 people found the following review helpful.
Poignantly insightful voice 'from the spectrum'
By Karen
I read Left in one sitting, not primarily because the plot is gripping although it is, but because I couldn't get enough of coming to know the characters especially Franny. Ossowski has portrayed in Franny experiencing life as a child with mild autism and massive anxiety and sensory overload, who lives in a particularly confusing, unpredictable and often cruel world. She has done this in a poetic and non-clinical way, seamlessly integrated into this moving story of love and pain, selfishness and selflessness, nature and nurture. While this novel is not about autism, the unique perspectives of each of the narrator's voices include Franny's. As a Psychologist who works with children with autism and anxiety, I feel fiction and film rarely get it quite right, but Ossowski has really nailed it; the continual struggle to make sense of others' actions, both the struggle we all share and the extra struggle that comes with the spectrum, the sensation of impending anxiety, of being about to be overcome by anxiety and overload, the extra finely tuned perceptions within the quest for context, and the immense relief and joy in situations that are free of anxiety and struggle, that make sense, and that are also filled with emotional connection, with love, such as Franny's precious hours in the quiet pool with her beloved Leah watching her, smiling down at her and waving.
12 of 14 people found the following review helpful.
Beautiful writing, fascinating characters in a story of love and forgiveness
By ELK
Can love and forgiveness be strong enough to overcome the harm caused by fear, misunderstanding, and abandonment? That's a central question in this wonderful first novel by Tamar Ossowski.
It tells the stories of a mother and two daughters: twelve-year-old Matilda; her sister, nine-year-old Franny, who has autism; and single mother Therese, who suddenly abandons Franny and runs off with Matilda to a new town to start life over. Ossowski tells the story in the alternating voices of the two sisters, interspersed with Therese's story told in third person and largely flashback, examining what led up to her desperate act and why she did it.
Ossowski has made her characters distinctly different, with compelling voices, and her writing is at its most powerful and beautiful when she's speaking in the voices of the two girls. Matilda, the older sister, is intelligent perhaps beyond her years and rebellious with good reason; Therese has spirited her away to a strange place with no explanation, leaving her beloved sister behind with Therese's best friend for no reason that Matilda can fathom. Her anger and resentment fester and come close to hatred toward her mother. When Matilda develops a crush on her new friend's older brother and Therese warns her to keep away from him, it only drives Matilda closer to him. Throughout the novel she never forgets the promise she left behind for Franny: that she will come back for her and bring her home.
Therese is the most difficult and puzzling character initially. She's self-centered, arrogant, and supremely confident that her instincts are always correct; she doesn't often stop to think about consequences. Early in her life she discovered her ability to "spark" people and things--to see that they have secrets, to know when they will be important in her life. But her ability suddenly fails her when she meets Tim, a grocery clerk, to whom she nevertheless feels a strange attraction. She becomes more intrigued when she learns that he lives with his mother inside a small red house and when he refuses to take her inside or introduce her to his mother. She becomes convinced that the red house--and Tim and his mother--are part of her destiny. Because she believes so completely in her instincts, and because her "biggest weakness was an insatiable need to uncover secrets," she begins to scheme and manipulate to make her way inside the house and into their lives.
Franny is Ossowski's most fascinating and sympathetic creation. Her voice is a revelation as to how much really goes on inside the minds of children with autism. She's a child who's afraid of noise and popcorn, who takes to spelling words to calm herself down when she's upset, who can become completely absorbed in watching the way paints diffuse in water and turn it into colors. She sees, understands, and knows things that most people don't. She keeps the letters Matilda writes to her and believes her sister's promise to come back for her, yet she settles into her new life with Therese's friend Leah and comes to love her. Leah is an artist with pain of her own in her past, and her way of looking at things seems to blend well with Franny's. They teach and learn from each other.
Finally it's the relationship between Therese and Leah that leads to the secret behind Therese's actions. Leah is highly intuitive and sensitive, a woman who somehow seems about to dissolve into wisps and yet has great inner strength. Through their friendship Therese grows into a person capable of unselfish love. But will it be enough to save her? Will she be able to earn the forgiveness of Matilda and Franny, and will she herself be able to forgive the hurt that was done to her?
LEFT is a complex and absorbing novel. Tamar Ossowski is an exciting new writer, and I look forward eagerly to her future books.
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