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Poetry. From accomplished translator Daniele Pantano, this is a rich and exciting collection of poems about exile, translingualism, and writing one's way home.
- Sales Rank: #4456567 in Books
- Published on: 2010-04-01
- Original language: English
- Number of items: 1
- Dimensions: 8.75" h x 5.75" w x .25" l, .25 pounds
- Binding: Paperback
- 89 pages
Review
"Pantano is one of the most interesting and versatile English-language poets of his generation." --Neue Zürcher Zeitung
"I would, without doubt, miss a world in which poems like Pantano's did not exist."
--Sima Rabinowitz, NewPages.com
"Poems in which any moment can crack open to reveal millennia, [...] suggesting we've found an heir to Czeslaw Milosz."--John Domini --Best of 2010
From the Back Cover
"I make a dish out of nothing" could be a poetic creed as well as a line from a Daniele Pantano poem, for he is an expert in molding the shapelessness of experience into a variety of crafted forms. A romantic with a sharp intelligence, Pantano gives us poems where heart and mind move together as on a verbal bicycle built for two.
--Billy Collins, Poet Laureate of the United States (2001-2003)
Fierce, uncompromising and completely authentic, The Oldest Hands in the World is a remarkable debut collection. Scratch that--The Oldest Hands in the World is a remarkable collection, period.
--Jay Hopler, author of Green Squall
The poems of Swiss-born Daniele Pantano are shadowed by travel and exile, rich with history, music, and a love of language. Sensuous, dramatic and intelligent, The Oldest Hands in the World is a stirring introduction to a strong and talented young poet.
--Peter Meinke, author of The Contracted World and The Piano Tuner
Who is brave enough to attempt the world? Daniele Pantano succeeds in this new book, evoking the world of cathedrals, arches, nights that cascade into history. It is a welcome world he illuminates. He gives us our own names back to us, familiar and unfamiliar, but ours in the newness of old possession. The Oldest Hands in the World caress us warmly, and make us thankful for the embrace. Read this world like your life.
--Nicholas Samaras, author of Hands of the Saddlemaker
About the Author
Daniele Pantano is a Swiss poet, translator, critic, and editor born of Sicilian and German parentage in Langenthal (Canton of Berne). He is the author of THE OLDEST HANDS IN THE WORLD (Black Lawrence Press, 2010), and the translator of Robert Walser's OPPRESSIVE LIGHT (Black Lawrence Press, 2012) and Friedrich Dürrenmatt' s THE POSSIBLE IS MONSTROUS (Black Lawrence Press, 2010). His individual poems, essays, and reviews, as well as his translations from the German of works by Friedrich Dürrenmatt, Georg Trakl, and Robert Walser, have appeared or are forthcoming in numerous magazines, journals, and anthologies worldwide, including Absinthe: New European Writing, The Baltimore Review, The Cortland Review, Conjunctions, Gradiva: International Journal of Italian Poetry, Guernica Magazine, Italian Americana, Jacket, The Mailer Review, Poetry Salzburg Review, Versal, and Verse Daily. Pantano's poetry has been translated into several languages, including German, Albanian, Bulgarian, Kurdish, and Farsi. Pantano has taught at the University of South Florida and served as the Visiting Poet-in-Residence at Florida Southern College. He divides his time between Switzerland, the United States, and England, where he's Reader in Poetry and Literary Translation at Edge Hill University.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Bold, Raw, Profoundly Moving Poems from Daniele Pantano
By Grady Harp
One wonders while absorbing the powerful poetry in this volume THE OLDEST HANDS IN THE WORLD why the poet's name is not immediately recognizable: this is most certainly the work of an accomplished master of the idiom. But this collection of poems is the first publication by Daniele Pantano of his own work: he has been a highly respected translator of the poetry of others for years. He was born in Switzerland of Sicilian and German parents and has lived in the United States and Switzerland and England where he is also known as a critic and a teacher.
So much for the 'who is Daniele Pantano' information. What is far more important about discovering this poet is the power of communication he is able to distill in such short works. He is concerned with history and the crumbling changes history creates on not only the detritus of civilization but also on the sense of longevity and the mental images of the past we all have gathered as our heritage. He is a master wordsmith, creating panoramas of information with a brief phrase or even a single word. His structure of placing words on the page varies from poem to poem, depending on the intended impact:
EROSION
When the crisis of the sea declares her anger, the island women
Fasten their clotheslines. Hang used panties for the wind to carry
Their scent across the triangular land. And as the sea's spontaneous
Capitulation adjourns another conquest, the men in the mountains thank
Their saints for fertile land and curse the women for their wretched games.
Or Pantano can write sensuously;
FALLEN
My grape harvest appeared meaningless.
Until, among the vineyard's decay, I found
Her skin. Her mind. November's gelid veins.
I knew my thirst. So I crushed her body
With the phallic weight of August - trousers
Unbuttoned, skirts raised by gypsy hymns -
To douse my lips with her caustic sap.
Every grape reveals a different poison.
Every woman stems from a different grape.
His peripetetic lifestyle renders such beginnings to some poems like AMERIKA: Parked by the ocean, I can still hear you/In the first syllables of my new language./'Always keep the directions that brought you here.'/Foolish me, after a few days, I shredded/the map I knew like the lining of my pockets........What I wouldn't give for one quick glance/ At those directions - anew, inverted - body/ As knowledge, knowledge as body. You offer/Everything I've lost, but with this new tongue,/Hesitant to taste even the most familiar, I/No longer speak. In a language not mine, in all/New languages, all words spell "forgetting".......I'm left with years of white pages...... etc.
The gamut of emotion, the intelligence of his articulations, but most of all the impact he has on the reader prove that this is a poet who will rise as high as the ether allows:
EVERY SO OFTEN
Remembrance appears
As a reminder: nothing
In out lives disappears.
It all merely lingers -
Faceless, here and there.
And every so often
It knocks on your door
Seeking shelter for the night.
How many of our poets can so succinctly see into our minds? Grady Harp, October 10
0 of 0 people found the following review helpful.
Focuses heavily on the concepts of being lost and looking for where you belong
By Midwest Book Review
Everyone is at some point displaced in the world and they search for a place to belong. "The Oldest Hands in the World" is a collection of poetry from Daniele Pantano, whose poetry focuses heavily on the concepts of being lost and looking for where you belong. "The Oldest Hands in the World" is a fine read, solidly recommended. "Chess at Night(Backyard, Florida)": Out here. Any given opening. An immediate surrender./A deliverance into blades of grass/Hammered too sharp./Too violent by a game life can no longer stage. So what?/When the once or twice you see someone turn on the lights in the old nursery?/ Your opponent's missing army?
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